Center at West Park to Leave Landmark Church, Continue Programming Elsewhere

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It’s official: The Center at West Park (CWP) is leaving the landmarked Romanesque Revival church at 165 West 86th Street.

In a statement issued Wednesday to ILTUWS, Executive Director Debby Hirshman announced that CWP will continue its programming through a new residency at St. Paul and St. Andrew (SPSA), located just a few blocks away at 263 W. 86th Street between Broadway and West End Avenue, as well as at select venues across the city.

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CWP’s departure comes three weeks after a high-profile rally inside the West Park Presbyterian Church, where Hirshman joined elected officials and a slate of notable New Yorkers — Mark Ruffalo, Matt Dillon, Fisher Stevens, J. Smith-Cameron, Richard Kind, Christian Slater, and others — in calling for the Center to remain in the space.

Though eviction papers were served in early June and the church’s attorney signaled that locks might be changed — potentially on the same day as the rally — Roger Leaf, chairman of the West-Park Administrative Commission, later told ILTUWS that the building’s remaining tenants — excluding CWP — would be given time for an orderly transition.

In Wednesday’s statement, Hirshman reaffirmed CWP’s commitment to its mission: to make the arts accessible, support artists at every stage of their careers, and cultivate diverse, intergenerational audiences.

CWP’s programming — including its Film Center, staged readings, music events, Evolution Festival, Object Movement puppetry program, and space subsidy initiative — will continue uninterrupted. The group’s new residency at SPSA will provide a home base, even as performances and events expand citywide.

“Over the past two and a half years, in a one-of-a-kind landmark building with seven performance and program spaces, CWP has grown into a self-sustaining community and cultural hub,” said Hirshman.

Hirshman, who was paramount in helping the Manhattan Jewish Community Center raise $85 million to build its center, also emphasized the organization’s pricing model, which includes pay-what-you-can options aimed at lowering barriers for families, artists, children’s programs, and local groups. (ILTUWS recently saw Michael Bamberger in Conversation with Richard Kind for free.)

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While the Center’s departure from the church marks the end of a chapter, the organization’s leadership is positioning it as a pivot rather than a defeat. Hirshman thanked supporters across the city, especially those committed to the “Love Our Landmarks: Save West Park” campaign, which continues its effort to preserve the building itself.

The future of the West-Park church remains uncertain. Alchemy Properties, the developer under contract to purchase the site, plans to build a 20-story luxury high-rise, which preservationists say would erase a vital community space and a piece of local history. The sanctuary’s acoustics and atmosphere have drawn comparisons to the Ryman Auditorium in Nashville, Tennessee — famously known as the home of the Grand Ole Opry from 1943 to 1974, and regarded by music lovers as a must-visit venue on their checklist.

Meanwhile, CWP is pressing ahead. “We are deeply grateful to the diverse, intergenerational community of artists, audiences, and supporters who have made CWP what it is today,” Hirshman said.

For program updates or to support the campaign to preserve West Park, visit centeratwestpark.org.

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